"Art is not what you see, but what you make others see." Edgar Degas
Edgar Degas lived in New Orleans for five months where his family was in the cotton brokerage business. Unfortunately, the business went bankrupt. What is interesting is that Degas painted his brothers in this painting as if everything was fine One brother Musson is examining cotton for its quality and another, Renee, is reading about the bankruptcy in The Picayane News. Everyone seems quite calm. Degas returned to Paris and exhibited "The Cotton Office" in the Second Impressionist Show in 1876, and two years later in 1878 he sold this painting to a museum in Paris, the Musee de Beaux, the only sale to a museum in his lifetime.
The formality of the dress, hats, ties, white shirts, serious, stoic, a bit unflappable, but then if Degas were painting this to sell, which he was, this is the way he would have painted it, everything orderly and serious.
Looking at the painting, the composition, the colors, the contrast between black and white are perfect. Notice the edge of painting on the right, instead of making the room continue, you don't see the rest of the hand or the desk. Photography was an influence for Degas, as were Japanese prints which used unusual angles and unusual points of view.
Edgar Degas lived in New Orleans for five months where his family was in the cotton brokerage business. Unfortunately, the business went bankrupt. What is interesting is that Degas painted his brothers in this painting as if everything was fine One brother Musson is examining cotton for its quality and another, Renee, is reading about the bankruptcy in The Picayane News. Everyone seems quite calm. Degas returned to Paris and exhibited "The Cotton Office" in the Second Impressionist Show in 1876, and two years later in 1878 he sold this painting to a museum in Paris, the Musee de Beaux, the only sale to a museum in his lifetime.
The formality of the dress, hats, ties, white shirts, serious, stoic, a bit unflappable, but then if Degas were painting this to sell, which he was, this is the way he would have painted it, everything orderly and serious.
Looking at the painting, the composition, the colors, the contrast between black and white are perfect. Notice the edge of painting on the right, instead of making the room continue, you don't see the rest of the hand or the desk. Photography was an influence for Degas, as were Japanese prints which used unusual angles and unusual points of view.
The Cotton Office in New Orleans by Edgar Degas, 1873 Dover Publications, Inc. Mineola, N.Y. |